When we arrived in Kenya in 2023, our first home had a lovely rooftop view southwest toward the Ngong Hills outside Nairobi. On many evenings in the fading light I would get out my longest lens to look out, beyond the few lights flickering on in the working-class communities of Kangemi and Kawangware, to the microclimate theater playing out over the distant ridgeline.
I don’t usually do straight landscapes but it was like the mountains created their own light and weather. Sometimes it was calm but there often seemed to be something stirring that wasn’t going on elsewhere.
Historically the Ngong Hills - now a protected Forest Reserve where hiking is popular - is a sacred site to the Maasai in the heart of their Rift Valley territory, at least before colonial-era displacement.
According to folklore, a Maasai mother had seven sons who were very close in life and were buried side-by-side. The earth rose up to cover them, the distinct mounds seen as their eternal resting place.
Prints are available here, in sets of four or sixteen. If there’s a particular single image you're interested in, let me know.
